The action of the film is choreographed around Baby’s infatuation with music. The most interesting detail of the film comes in the form of a hearing disability that afflicts Baby, producing a loud hum at all times which he drowns out through music and a set of earbuds connected to an iPod Classic (God, the iPod Classic was an awesome piece of technology, wasn’t it?). So much so that Doc wouldn’t want any other driver for any situation, citing Baby as his “lucky charm.” But his quaint personality or quiet nature doesn’t matter, because Baby is a phenomenal driver, able to pull off miraculous stunts and make split-second decisions that land him at the top of the game. Baby’s a good kid, and clearly an outsider to his associates, who constantly question what his deal is. Baby doesn’t belong in the seedy world of bank-robbing, standing out among a supporting cast of scumbags you’ll get to know better throughout the film, most notably Bats (Jamie Foxx), Buddy (Jon Hamm), and Darling (Eiza González). Our hero is Ansel Elgort as Baby - yes, B-A-B-Y, Baby - a young but experienced getaway driver with just a couple more jobs to go before he’s officially paid off a long-standing debt to his boss, Doc (Kevin Spacey), and can leave the dirty business altogether. Instead, here he exhibits a sense of realism and seriousness he’s not yet shown off, but still finds enough space in the script to place well-timed and often hilarious jokes as well, striking a near-perfect balance of dramatic moments and comedic ones. The World, in Baby Driver, Wright strips back the pulpy silliness his work is famous for. Baby Driver is perhaps Wright’s greatest achievement yet - and with a track record as stellar as his, that’s saying a lot.įollowing his remarkable comedic genre mashups with films like Shaun of the Dead, Hot Fuzz, The World’s End, and Scott Pilgrim Vs. Led by a catchy and calculated soundtrack, the film presents exhilarating car-chase scenes with an ensemble of precisely handled characters behind-the-wheel, gaining traction from its impressively meticulous opener through to its explosive climax. The summer’s most fun and excitingly fresh film has officially arrived with Edgar Wright’s wholly exceptional Baby Driver.
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